Not For Sale

When:
October 19, 2017 all-day America/Chicago Timezone
2017-10-19T00:00:00-05:00
2017-10-20T00:00:00-05:00
Where:
Oklahoma Contemporary
3000 General Pershing Blvd
Oklahoma City, OK 73107
USA

Not For Sale

In honor of Hip Hop Month in Oklahoma City, Oklahoma Contemporary is pleased to announce Not For Sale: Graffiti Culture in Oklahoma. The exhibition, showcasing graffiti created by some of the state’s most talented artists, will run Oct. 5 to Nov. 30.

Not For Sale will feature 10 artists who have been an integral part of the Oklahoma graffiti scene. Artists will paint directly on the walls of the gallery, transforming Oklahoma Contemporary into a vivid and exciting display of styles. These artists are part of a culture that promotes creative expression to individuals who have not always had access to the art world.

“This is a chance for people who aren’t familiar with graffiti to see it in all forms. It’s a chance for people to understand that graffiti has changed and saved lives. Artists do it to connect with and improve their communities.”“Graffiti is often referred to as a form of rebellion, but I want to change that perception with this exhibition,” said Angel Little, guest curator for Not For Sale. “This is a chance for people who aren’t familiar with graffiti to see it in all forms. It’s a chance for people to understand that graffiti has changed and saved lives. Artists do it to connect with and improve their communities. The artists in this show — from Oklahoma City and Tulsa — are the driving force behind the change and it’s inspiring to see them come together in a gallery environment and with this kind of influence to create something positive.”

The artwork in Not For Sale finds its roots in the graffiti movement that emerged in the early 1970s in Philadelphia. Graffiti art is mostly based on text – in particular, the writing of an assumed name that serves to promote the artist. Graffiti has flourished worldwide in large part because it operates outside of the art world’s elite institutions — it therefore is an art form open to anyone. The exhibition title, Not For Sale, makes reference to the fact that graffiti is primarily made for fame and not for money and can be seen by everyone, not just those with access to museums and galleries.

“In recent years, graffiti has become increasingly accepted by the art world as a legitimate, innovative art form requiring great skill,” said Jennifer Scanlan, exhibitions and curatorial director at Oklahoma Contemporary. “At Oklahoma Contemporary, we celebrate creativity in all forms. Not For Sale gives us the opportunity to showcase the artistic talent of graffiti writers here in our state. By putting the works in a gallery setting, we want visitors to really consider the ways in which these are similar to a painting that might be hung on the wall — the use of color, the composition and the ideas the artists are trying to convey.”

While graffiti’s often illegal placement on subways, trains and walls has added to its appeal as a form of rebellion, the artists in Not For Sale have used their skills in many legitimate fields, from mural commissions to graphic design to fine art that sells in galleries. Guest curators Chris SKER and Little have secured the talents of skilled and experienced graffiti artists with an Oklahoma connection. All of the artists are Oklahoma-born, with the majority currently living and working in the state.

Featured artists include SKER, JASPYR, CODAK Smith, SADAT, David HEK, SEAPO, GERM, ENTAKE, MANIK and RHAK.

“This is the place where my life’s journey began,” said muralist CODAK Smith. “As someone who was born in Oklahoma and is fortunate enough to travel extensively throughout the United States and overseas to showcase my art, it is a great honor to bring my work back home and contribute to the growing mural arts scene in Oklahoma.”

Oklahoma Contemporary has planned a series of programs for youth and adults that look at graffiti’s place as one of the “four elements of hip-hop” — including emceeing, breaking (formerly known as breakdancing) and DJing. Workshops and performances will allow everyone to celebrate November as Hip Hop Month in Oklahoma City, as designated by Mayor Mick Cornett in 2016. On Oct. 19, Oklahoma Contemporary will partner with the Ralph Ellison Foundation to present Soul of an Underground, an evening of performance, combining music, spoken-word poetry and movement.

On Nov. 4, Oklahoma Contemporary will host the ONEsoul Charity Event Hip-Hop Jam. This event features dance battles and open floor dancing, live graffiti competitions, musical performances, food trucks, indoor art projects and more. From noon to 7 p.m., the focus is on families, with workshops, kid showcases and performances. After 7 p.m., visitors over 21 can enjoy adult beverages as the mood changes to a more adult environment.

For more information, visit oklahomacontemporary.org.

Dennis Spielman

I'm Dennis Spielman, the Owner and Producer of Uncovering Oklahoma. In short, I’m a creative person that writes imaginative stories for books, movies, and shows. More about my projects are at DennisSpielman.com

1 Response

  1. somedude says:

    I’m a bboy (breaker). I think for you to say, “breaking(FORMERLY known as breakdancing” is a little incorrect. Breakdancing was a media/mainstream label that the non-underground public decide to call it. It was and has always been known as Breakin (or) Bboying/Bgirling. There’s no “formerly” about it.

    BUT, Thank you dearly for sharing and support the HipHop culture in the Oklahoma Scene. Much Love and Peace to you.

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