Nature’s Course Learning Gallery with John Newsom
Painter John Newsom gives a tour of the learning gallery at Oklahoma Contemporary, which pairs with his exhibition, Nature’s Course, in the main gallery.
Tagged: Artist Statement Minute
The Artist Statement Minute series features interviews with local Oklahoma artists and curators about gallery exhibitions.
Sugar High
Sugar High in Enid is an immersive art experience about a dystopian world ruled by sugar. Artists romy and Ben talk about what to expect at this limited exhibition.
Doorways by Amber Rae Black & Teddi Fokas
ough darkness, and a light at the end of the tunnel. Doorways is a new immersive experience by Amber Rae Black & Teddi Fokas, in collaboration with Factory Obscura.
The Left Hand of Liminality by Denise Duong and Gabriel Friedman
Denise Duong and Gabriel Freeman gave me a live tour of their MAINSITE Contemporary Art exhibition, The Left Hand of Liminality, before it opened to the public for the return of the in-person 2nd Friday...
Verbode’s Exhibit 1 for 2020
In this Artist Statement Minute, Christie Owen talks about the group of artists she invited to Verbode’s first exhibition for 2020 who are actively making our city a super cool place through various creative channels.
Observation of Surface by Bryon Perdue Jr
An artist statement minute with Bryon Perdue Jr about Observation of Surface on display at amshot.
Exhibit 4 at Verbode
Exhibit 4 from Verbode Urban Core Artists features the work of: Behnaz Sohrabian, Christie Owen, Klint Schor, Marilyn Artus, Matt Goad, Paul Medina, and Scott Henderson.
Brooke Rowlands – Botanikos
In this Artist Statement Minute video, Brooke Rowlands talks about her exhibition, Botanikos, at amshot.
Under Her Wing was the Universe
Artist romy owens talks about her art installation, Under Her Wing was the Universe, in Enid, Oklahoma.
Exhibit 3 at Verbode
Exhibit 3 of Verbode Urban Core Artists features the work of: Christie Owen, Erin Cooper, Jarica Walsh, Jim Thompson, Jon Burris, Lawrence Hultberg and Tammy Brummell.
